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RADIX: τριάς

3-9 AUGUST 2026

RADIX is a studium where citizens, artists and scholars can re-examine the practice of theatre as radical. Radical must in this context be seen as an origin, or root–from the Latin radix. Theatre must in this context be understood as the arena in which performance takes place. The studium is run by ibodies since 2022 and examines theatre and its languages and pays special attention to what kinds of performance are possible within the arena of the theatre.

 

In this special edition of RADIX we will examine the idea of the triás: the trinity. Passed down through centuries, the idea that three aspects are necessary for creation to exist–passivity, activity and neutrality–can be found in mythology, theology, philosophy and art. The uniqueness of the triadic relationship, as opposed to the dyadic relationship, is that only when a third aspect enters the dynamics of a two-way relationship can something new come about: creation. 

 

Bearing this in mind, we will look specifically at the triadic relationship between the spectator, the actor and the space. This triadic relationship is common in nearly all theatrical traditions. Over the past centuries this relationship has nevertheless cemented itself, within a Western theatrical canon, as one in which the spectator remains passive and the theatrical space homogenous by virtue of the theatre salon. Counteracting this predominant tradition we are interested in examining theatrical pieces that question the passivity of the spectator and revolt against the homogenous theatrical space. All the performances presented in this year's program challenge, question and subvert our preconceived ideas of who, or what, is active, passive or neutral within a performance. Our emphasis on the possibilities inherent in examining the triás remains an ode to the possibility of civic engagement that the origins of theatre presupposed.  

 

These considerations and more will be at the forefront during a week-long event of performances, talks and workshops with invited artists and thinkers from across the globe. The majority of the performances have been reimagined especially for this edition of RADIX. The emphasis of the program remains to provide a meeting-place through the arts for public and artist alike. Public talks with the invited artists will run parallel to the performances throughout the week which we invite you to attend and discuss at!

MOMEC – RIVOLTI

Teatro del Lemming – Amore and Psiche

ibodies – DEMOCRACY

More performances to be announced shortly!

In collaboration with Atalante, Konstepidemin, Konstkollektivet Mölndal and FLOCK & MYLLER ​

Supported by The City of Gothenburg Arts and Cultural Affairs Committee and The Region Västra Götaland Cultural Affairs Committee​ 

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RADIX is directed by Josephine Gray​

PREVIOUSLY INVITED ARTISTS AND SCHOLARS: 

2025 

In the 2025 special edition of RADIX focus was placed on performances that find intimate ties with the concept of prophecy. Examining the Greek word prophētēs we find that its literal meaning is before-speaking. Today, as Europe stands imbedded in war(s) we wonder how sincere intelligent people can disagree? Should not both disputants suspend judgment? Tracing art throughout history it is clear to see that artists in all disciplines have prompted the sirens of warning through their artworks. Art in this sense becomes resistance in its truest sense.

Akropoditi Dancetheatre

Çıplak Ayaklar Kumpanyası

Lars Henning

HORSE Performance Co.

Arlette-Louise Ndakoze

Liza Penkova in collaboration with dejana sekulić and Nao Momitani

Teatro del Lemming

2023

Teatro del Lemming

2022

Claudia Castellucci/SOCIETAS

Lars Henning

Josette Bushell-Mingo OBE

Dr. Kiki Selioni

Dr. María J. Ortega Máñez​

In 2022 RADIX invited performers from across Europe where the totality of the performer was questioned and investigated. It was comprised of a theoretical and a practical approach to the stage creating a meeting-point where artists from various disciplines can meet with the aim of spreading the influence of theatre as radical – i.e., its root in the multitude of expressions on stage.

Performers that followed the year-long studium RADIX:

Íosac Casey

Adele Cammarata

Mez Galaria

Pone Shams Hakimi

Elena Perota

Alejandro Bonnet

Tehilla Blad

Amina Avdić

Sebastian Ruiz Bartilson

infinite bodies ı incredulous bodies ı immaculate bodies ı intelligent bodies ı incandescent bodies ı illegitimate bodies ı irascible bodies ı iconic bodies ı inundated bodies ı illicit bodies ı illegal bodies ı irrefutable bodies ı independent bodies ı illuminous bodies ı illustrious bodies ı infallible bodies ı irreverent bodies ı indefinite bodies ı irregular bodies ı integral bodies ı indispensable bodies ı illogical bodies

 

 

©ibodies 2025

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